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Im moving ~

2011-05-04T01:47:00.000-07:00

http://www.jasonkerley.co.uk

2010-08-16T07:12:00.000-07:00

this is the cover of a pdf i made for Oliver Topple's birthday a while ago. You cant read it because its kinda personal, you can however read, and contribute, to this, his second gift:
This is not a text message

2010-08-02T19:28:00.000-07:00

T-shirt design for Standon Calling next weekend

2010-08-02T19:22:00.000-07:00

image for a zine consisting of illustrations inspired by songs from an old cassette mixtape, i was given a melt bananna track, i cant remember which song it was, but it was good.

2010-08-02T19:09:00.000-07:00

Ishihara 13 opens for one night only - 19th August.
more information about Ishihara 13

2010-06-08T16:54:00.000-07:00

Along with the rest of the Crabwolf pack I transformed part of Selfriges into how i imagine the inside of rabbit to look after it had bitten a chunk out of a vhs of that ah-ha video where he drags the girl into a comic, then nibbled an gnawed its way through a packet of refreshers and a 35ml camera manual from the 80's. maybe

2010-06-08T09:07:00.000-07:00

i produced this set of images for the jointhedots record label. lovley.
there are also some images i made for thier podcasts - which are avalible on itunes for free. lovley

2010-06-08T06:45:00.000-07:00

Ishihara Exhibitions are group shows I have Co-curated for over a year now. Our twelth show, and first in London is happening a month from today (8 July).

click here for more information

2010-06-07T13:58:00.000-07:00

Finally uploaded this walkthrough of exhibition i put on with the missus last year. The title of the show was So, as it is a word with no objective nature of its own, instead it serves to emphisise what is already there.

2010-06-07T13:53:00.000-07:00

i stumbled across this picture on the web of my toilet at the Queen of Hoxton and thought id post it up here. Feel free to go and have go in it, but only if your a lady.

2010-05-28T05:05:00.000-07:00

I was very kindly invited to exhibit an instillation of my work at the VOIX group show in Cambridge. The exhibition offered a plethora of artwork and ephemera, yet everything was linked with a striking confidence and glamor. The continuity of these otherwise quite detached works, was the result of curator Katie Burnell's superb understanding of her own unique aesthetic.

1. the pangram "the quick brown fox jumps the lazy dog" was written on glass in felt-tip, the ink was then dispersed into this tank of water
2. the ink collected from a dry-wipe marker drawing of a cat
3. a copyrighted image painted white in photo shop
4. hinges, wood, screws, eyelets, thread

2010-01-27T17:07:00.000-08:00

The FL Gallery will be opening soon.

Please search for and join the facebook group to be the first to hear about the opening exhibition, as well as subsequent exhibiting / resident artist opportunities.

2010-01-27T16:54:00.000-08:00

Socle is a show i had the opportunity to curate, which opened last tuesday.

The following words are by Oliver Topple, taken from his blog; http://olivertopple.blogspot.com/
..
Last Tuesday was the grand private view of Socle. I got there early to check out the space and was pleasantly surprised. Despite edging on the wrong side of derelict, the place had been scrubbed thoroughly, and the flattering opaque roof-windows filled the space with delicate but wealthy sunlight.

I marked out my spot, so my dimensions could be sprayed on, and installed my work. The floor was cold and damp, and the building home to a number of pigeons, all of which were to add to the piece - I returned at the weekend, and i was happier with the piece now it had undergone the treatment only such a space could lend.

The rest of the show was good; and the strict curation dictated an aesthetic to the exhibition that really took me by surprise. Perhaps exhibitions on the whole are laid out in such a way as to lay subservient to the majesty of the work; with varying spaces around each piece being in in/direct relation to its notoriety/value. Socle certainly wasn't; which was refreshing, since it didn't seem to forcibly suggest anything in its place. All the work felt like it had been given prime spot, and could be enjoyed independent; something in my opinion, important to any large-group show.

A step taken back, and the room looked like an installation in itself, with vibrant works seemingly floating above the dull grey floor; think Cornelia Parker in colour.

Ultimately the whole thing worked, and I am really proud to have been a part of it.